Tuesday, 15 February 2022

Lake Image Journey How To Shoot Traces, Environments And Surfaces, With Your Camera

How To Shoot Traces, Environments And Surfaces, With Your Camera?

Photos Osku Leinonen Examine out my websites: https://www.oskuleinonenphotography.com

https://www.joyful.photography

Rain. All colors have actually been changed, surface areas are from another world. Colors are silenced, however running water on a window glass makes gorgeous reflections, patterns, and reformatted images. Bubbles inside an old glass and unequal area make you feel comfortable. Not just human beings are not completely formed, the skin of the environment has similarly its own, private marks.

When my skin ages, so does surface area areas.Wet. Suddenly you see all the colors that damp stone has. Colors exist, all little rainbows, and water has really brought them to for you to sense. The damp floor covering on an age-old stable has darker tones than the sun-dried wall.

The dust has actually located, situated versus bottoms of wood. Dust does not wish to fly with a gust of air, raised by the all of a sudden opened door. Rather it acts and looks numerous than when the dust is dry. In here horseshoes have in fact formed the flooring, with love and time, and now it looks like a surface area of an unusual world.

Traces of work are all obvious, tool marks on wood, like signatures on a white paper.Cold. It’s so peaceful. Metal has dim power in winter, and to touch metal deals you chills. Rust flakes now have friends; little ice crystals are next to each other with rust, making the environment shimmering and glimmering. Light has actually altered, the state of mind is different.

A story has a new tone.When I am seeing, touching and taking images of surface areas and textures, it resembles touching and observing common skin of all beings, our shared environmental heritage.

Not all product has the power to protect our memory and life events so well. Currently lived places, proficient structures and area have specific power and quality, almost like your touch is a needle and texture a vinyl record.

Observe, see and touch, and expose the music of the lived environment, people who have actually indeed been here. With my video camera, I look for and catch this music. I allow the traces and light be the needle, which dances on the topography of surface area areas.

The kept surrounding is our normal memory bank. We can’t lose it, or we lose a substantial part of ourselves. With the camera and as a skilled professional photographer I try to gather what is possible to collect and share and recommend audiences about this special treasure.

Everyone have chosen locations and structures, traces, houses and secret youth dens. We feel and notice deeply all aspects of the environment


Developed, secured or discovered area end up being part of our skin, the skin of environmental heritage.We should save what we can, safeguard what is currently part of our shared story, built heritage, and welcome those who are brand-new in this specific location to our story, through area, textures and structures.

All this helps us to keep in mind: there have in fact been others prior to us, we come from a lengthier story – and there will be others when we are currently left from. © Osku Leinonen

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